Maria Callas -《纯粹挚爱 卡拉丝》(Pure)[24 bits 96 KHz][FLAC]

Maria Callas -《纯粹挚爱 卡拉丝》(Pure)[24 bits 96 KHz][FLAC]

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专辑英文名: Pure

专辑中文名: 纯粹挚爱 卡拉丝

艺术家: Maria Callas

古典类型: 歌剧

资源格式: FLAC

版本: [24 bits 96 KHz]

发行时间: 2014年

地区: 美国

语言: 英语

简介:

专辑介绍:

「一切皆可拋，独留卡拉丝」，从初窥歌剧至今，卡拉丝始终是我毕生挚爱的女神。特别是此次重新后制的版本，让我强烈感受到更鲜活、更真实的卡拉丝，聆听每一乐段，彷彿看见歌剧女神从唱片出现，歌咏她的爱情与一生。----林伯杰 推荐

最近很忙，活动多稿债也多，包括卡拉丝的所有唱片文案

没时间写部落格，所以先拿最近这些来挡一下，敬请见谅....


卡拉丝：「我的回忆录就在我歌声里，这是我唯一能够呈现我自己的方式，我的录音留存了我的故事。」



纯粹挚爱 卡拉丝

即使卡拉丝离世已近四十年，但她似乎从未远离我们，生前是睥睨一时的超级名伶，死后仍透过传奇的歌声深深感动著后世。就算不是歌剧迷的您，也不时透过电影、电视、广告、网路…等媒介，听见卡拉丝的美声迴盪在我们耳畔。如今，华纳唱片耗费两年时间，将卡拉丝历年的伟大录音於Abbey Road录音室修复重制，更鲜明地呈现卡拉丝是如何用歌声唱出人世间的爱恨情仇。

玛莉亚．卡拉丝的一生就是传奇，她是1923年出生於纽约的希腊移民，历经用歌声换取麵包的战争岁月，歌唱变成她毕生对抗世界的最强武器。二次大战后卡拉丝迅速崛起，先后征服欧美各大剧院，为了让自己在舞台上更具说服力，以奥黛莉赫本为目标，决心减肥瘦了三十公斤，蜕变成为豔冠群芳的美丽巨星。而卡拉丝的私生活也如同歌剧般一样精采，她与母亲的长年恩怨，她与女高音提芭蒂的世纪之争，她与希腊船王欧纳西斯轰轰烈烈的恋爱，却因甘乃迪遗孀贾桂琳而成弃妇，从绚烂归於平淡。晚年试图东山再起，声音再也无法回到全盛时期，1977年卡拉丝因用药过量心臟衰竭而过世，依照遗愿，她的骨灰洒在爱琴海上。

儘管江山代有美声出，但超过半个世纪，卡拉丝的魔力为何依旧存在？她不是眾所喜爱「来自天堂的声音」，因为她的歌声太过真实、太过有血有肉。卡拉丝是第一位同等要求歌声与演技的声乐家，儘管她所遗留的实况录影不多，然而只需从她的唱片录音中，便可深切感受到歌剧人物的所有喜怒哀乐。不管是楚楚可怜的蝴蝶夫人、妒意十足的托斯卡、疯狂杀夫的露琪亚、乃至於邪恶阴沈的马克白夫人，卡拉丝唱活了每个角色，於是，她成为乐迷心中永远无法取代的歌剧女神。

这张「纯粹挚爱」精选辑收录了卡拉丝十八首最伟大的绝唱，从茶花女卖弄花腔的「永远自由」，到次女高音卡门的「爱情像野鸟」；从汤姆汉克斯经典电影《费城》中的「他们杀了我妈妈」，到妮可基嫚最新电影《为爱璀璨：永远的葛丽丝》中的「我亲爱的爸爸」，见证卡拉丝无所不能的歌唱魅力。尤其顶尖Abbey Road录音室将母带重制发行，卡拉丝的美声再现风华，更纯粹更感人，我们也更挚爱这位永远的女神。

引用

http://www.hdtracks.com/pure-maria-callas

Title: Pure - Maria Callas
Artist: Maria Callas
Genre: Classical, Historical, Opera, Top Hi-Res Female Vocalists, Classical Legends
Label: Warner Classics
Release Date: 2014

Conductor: Various
Composer: Various
Audio CD (September 23, 2014)
Number of Discs: 1
Label: Warner Classics
ASIN: B00KSR46YQ
Average Customer Review: 4.8 out of 5 stars

Opera singers come and go, but just a few – the legends – live on. And Maria Callas was the greatest legend of them all, though not just for the wonder of her voice. She changed the way people thought about opera, but she also became famous as the glamorous celebrity who fell in love with Aristotle Onassis, leaving her elderly husband to live with him on his yacht Christina and enjoy the high life with the international jet set.

Of course it ended badly. She lived her life like one of her own tragic heroines who (as women tend to do in opera) sing, suffer and die. And her own death came at just 53, after a dazzling but short career that took in heavy roles alongside decorative, nightingale-like ones – ignoring the established rules of vocal health and probably explaining why her voice finally gave out as it did.

But in that time she did extraordinary things, using the muscle of those heavy heroines to empower the nightingales with strength and depth of feeling nobody had thought to offer them before. She gave them credibility as drama. Her performances were absolute and self-exposing: she held nothing back. And she was even tougher on herself than she could be on others – which is why her voice was never quite the flawless instrument singers are meant to cultivate. Her personality was far too volatile and too self-sacrificing in its love affair with risk.

In the mythology of opera, though, that’s what the audience demands. We want the diva to be both a goddess and a slave: to give her life for art. We thrill to the dimension of that sacrifice. And Callas dutifully obliged.

专辑曲目:

01. Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) [Habanera]
02. Norma, Act 1: "Casta diva" (Norma, Chorus)
03. Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta)
04. La Wally, Act 1: "Ebben?... Ne andrò lontana" (Wally)
05. La traviata, Act 1: "Ah fors'e lui" (Violetta)
06. La traviata, Act 1: "Sempre libera" (Violetta, Alfredo)
07. Tosca, Act 2: "Vissi d'arte" (Tosca)
08. Madama Butterfly, Act 2: "Un bel di vedremo" (Butterfly)
09. Andrea Chénier, Act 3: "La mamma morta" (Maddalena)
10. La bohème, Act 3: "Donde lieta uscì al tuo grido d'amore" (Mimì)
11. Adriana Lecouvreur, Act 1: "Ecco - respiro appena...Io son l'umile ancella" (Adriana Lecouvreur)
12. Lucia di Lammermoor, Act 3: "Il dolce suono ... Ardon gli incensi" (Lucia, Raimondo, Normanno, Choru
13. Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora)
14. Otello, Act 4: "Ave Maria" (Desdemona)
15. Il barbiere di Siviglia, Act 1: "Una voce poco fa" (Rosina)
16. Orphée et Eurydice, Act 4: "J'ai perdu mon Eurydice" (Orfeo)
17. Samson et Dalila, Act 2: "Mon coeur s'ouvre à ta voix" (Dalila)
18. Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès)

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